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| Ligne 6 : |
Ligne 6 : |
| | ligne [[Malekko]] | | ligne [[Malekko]] |
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| | + | |
| | + | ==Modules== |
| | [[Model 331 Envelator]] | | [[Model 331 Envelator]] |
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| − | 1. Exploring what the module can do in the sense of a traditional modules.
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| − | That is, exploring the tone colors of the VCO, Envelator as ADSR and so on.
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| − | 2. Exploring the axilliary modules within the enclosure. Discovering the VCA
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| − | and envelope/slew in the classic VCO for example. Using them to do things
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| − | like dynamic depth linear FM or as an additional attenuator for FC.
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| − | 3. Discovering the strange modes of operation. Like using the Envelators at
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| − | audio rates for chaos generation, using the Mixolators as balanced
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| − | modulators, switching ranges to "Low" and exploring the outer edges of the
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| − | functions.
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| − | 4. Simple modifications. The multiple jacks labeled A,B,C,D at the bottom of
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| − | the modules are only connected by solder bridges. This can be easily removed
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| − | and the jacks connected to internal points on the modules. For example
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| − | adding the external bank select and the second VCA input on the Wavefrom
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| − | City.
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| − | 5. Complex modifications. Every stage in each modules has a test point which
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| − | can be used to patch out the module. Each module could support 50 jacks, but
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| − | you would need the intelligence of a Martian to use them. None the less, the
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| − | idea of "circuit bending" the modules themselves has been built into the
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| − | design.
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| − | 6. Normalizing into virtual instruments. After you have discovered what you
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| − | like about the modules, you can permanently normalize them using the exposed
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| − | points on the jack boards.
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| − | 7. The one the customers find that I did not think of...
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